• Noemi Molitor, "The pictures on the outside", taz article (August 7, 2022) : review on Lizza May David's work on the exhibition Spheres of Interest* in ifa Gallery (Deutsch)
• Christina Ayson Plank, "Counter-Producing National Narratives Filipina Diasporic Artists Challenge the Global Health Care System", University of California, Santa Cruz (December 30, 2021) : In this article, Plank analyzes CYCLES OF CARE (2011) along with other artists' work to demonstrate how they counter national narratives by portraying Filipinos in non-capitalizable, non-laboring moments, thereby disrupting the mechanisms of global capitalism.
• Harriet Thorpe, "Motions of This Kind: Propositions and Problems of Belatedness", studio international (May 23, 2019) : review of How Many Seas will you Swim ? in Brunei Gallery, Soas University of London
• Gwen Bautista, "You Can Still Catch the Philippines' Longest-Running Art Biennale", Spot.ph (December 25 2018) : review about VIVA EXCON 2018
• Jewel Chuaunsu wrote about Lizza May David's work for the publication "Art Archive - a collection of essays on Philippine contemporary visual and performing art" (November 2017) in his article "GLOBAL FILIPINO CONTEMPORARY ARTISTS" (page 47)
• Marie-Laure Allain Bonilla wrote about Lizza May David's photography work "The Unknown Filipina" in her article "Repositioning photography: When the postcolonial becomes personal" (French) for Les Carnets du BAL #7 (October 2016).
• Lian Ladia wrote the article "Migrant Tales: Lizza May David" for the April 2011 issue of Contemporary Art Philippines to give her perspective on Lizza May David's work.
• Katharina Garrelt wrote a presentation for the press release of Lizza May David's solo show The Model Family Award (March 2008) for Metro Gallery.
• Jessica Zeller, "When foreignness becomes art", taz article (March 15, 2008) : review on "Looking inwards"